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Jazzschool Community Music School Winter 2012 Catalog (PDF)

Jazzschool Institute 2011 - 2012 General Catalog (PDF)





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winter 2012 classes > guitar

 
 

Beginning Guitar
An introductory course for students with little or no experience playing guitar. Students learn the basics, including:
• tuning the guitar
• understanding the fretboard
• using proper hand positions
• fingerings for major scales
• learning basic triads and seventh chords
• playing simple pieces
• reading music
This course is taught by world-class Jazzschool faculty with the objective of getting it right from the very beginning. Required text: Modern Guitar Method Vol. One, Mel Bay (available at Jazzschool Books and Records).

Saturdays 10 – 11:30 am
10 weeks  (1/14 – 3/17)
DANNY CARON  $365


Blues and Swing Guitar
This class is designed for guitarists with basic technical facility and focuses on the blues form. Students learn chord voicings, fingerboard harmony and techniques of single-string soloing. Class covers a variety of styles, from the urban blues of B.B. King and Albert Collins to the more complex swing of Charlie Christian and Aaron T-Bone Walker. Alternate chord cycles and rhythm playing are covered. Students also work with transcriptions to develop strong melodic solos.

Prerequisites: Beginning Guitar or equivalent.

Saturdays 11:45 am – 1:15 pm
10 weeks  (1/14 – 3/17)

danny caron  $365


Jazz Guitar I
A hands-on class on the basics of jazz and blues guitar technique and style. Includes instruction in soloing and comping over standard jazz repertoire and the blues. Required texts: Graduated Soloing: The Mimi Fox Guitar Method and Graduated Solos DVD, both by Mimi Fox (available at Jazzschool Books and Records).

Prerequisites: two years playing experience, knowledge of major and pentatonic scales and basic seventh chords.

Wednesdays 6:15 – 7:45 pm
10 weeks  (1/11 – 3/14)

mimi fox  $365

Jazz Guitar II
A hands-on class for intermediate-level students wishing to continue to develop their knowledge of scales (including altered and diminished), chord theory, repertoire, modes (including melodic/harmonic minor modes) and more advanced concepts. Required texts: Jazz Anatomy DVD and Guitar Arpeggio Studies on Jazz Standards (available at Jazzschool Books and Records).

Prerequisites: Jazz Guitar I or equivalent; knowledge of scale and chord theory and some familiarity with jazz repertoire.

Wednesdays 8:15 – 9:45 pm
10 weeks (1/11 – 3/14)

mimi fox $365

Jazz Guitar Masters
A class designed to acquaint advanced-level students with the styles of legendary jazz guitarists including Wes Montgomery, Joe Pass, Pat Martino, Bruce Forman, and others. Instruction includes performance of transcriptions, close listening and instructor demonstrations. Required text: Guitar Arpeggio Studies on Jazz Standards by Mimi Fox, Mel Bay Publications (available at Jazzschool Books and Records).

Prerequisites: Jazz Guitar II or equivalent.


Mondays 6:30 – 8 pm
10 weeks  (1/9 – 3/19)

mimi fox  $365

Guitar Trio
In this intermediate/advanced hands-on class, students develop improvisation skills in the guitar trio format. Students focus on group interaction and dynamics, soloing, comping for bass solos, trading fours with the drummer, building repertoire and, finally, getting gigs! Maximum enrollment: four guitarists, one bassist, one drummer.

Prerequisites: ability to play and improvise over a jazz tune in time.

Mondays 8:15 – 9:45 pm
10 weeks  (1/9 – 3/19)

mimi fox  $365

The Art of Creative and Effective Jazz Guitar Comping
This hands-on course is designed to provide the intermediate to advanced guitarist with tools, concepts and techniques essential to creative and effective contemporary comping. This course covers:

  • comping over straight-ahead, bebop, modal, funk/fusion, ballads, contemporary jazz, Brazilian and Afro-Cuban styles of music
  • creative chord voicings: looking at the fingerboard and voicing chords in a more “pianistic” way; quartal harmony (clusters voiced in 4ths) in modal comping; the possibilities of dissonant intervals such as the minor 2nd; slash chords; tritone substitution; and upper register chord voicings
  • rhythmic anticipation & syncopation: the “right” places to put chords in treating rhythmic “forward motion”; comping in 3/4, 6/8 and odd meters.

Prerequisites: knowledge of chord/scale theory; ability to play major, dominant and minor seventh chords and the ii-V-I progression in all keys.

Tuesdays 8:15 – 9:45 pm
10 weeks  (1/10 – 3/13)

STEVE ERQUIAGA   $365

Flamenco Guitar
This course provides students with a basic understanding of the most important rhythmic forms and techniques in traditional and contemporary flamenco music. Cultural and historic foundations are discussed, and participants explore a variety of both left- and right-hand techniques that enhance guitar playing in any genre. Students practice playing individually and as an ensemble, and guest artists drawn from the Bay Area’s extensive community of professional flamenco performers give students a taste of the exciting dynamics involved in accompanying singing and dancing.

Prerequisites: Some prior guitar experience is recommended, and guitarists are encouraged to bring an acoustic nylon-string guitar, a recording device and a capo.

Saturdays 1:30 – 3 pm
10 weeks  (1/14 – 3/17)

david gutierrez  $365


Brazilian Guitar
Designed for intermediate to advanced students, this class covers various styles of Brazilian music focusing on rhythm as well as typical chord structure theory. Pick players please note: finger-style technique is used to play this style of music.

Sundays 2 – 3:30 pm
10 weeks (1/15 – 3/18)

ricardo peixoto $365

RELATED workshops

Guitar — Unlocking the Secrets of Gypsy Jazz Guitar
Sunday January 15, 11:30 am – 1:30 pm
paul mehling

Cuban Music Workshop — The Tres & Minor Percussion
Sunday January 22, 2 – 4 pm
tito gonzalez

Exploring Jazz Guitar
Sunday February 26, Noon – 3 pm
john stowell

 

   
 
 



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